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Indeed - and more recent incarnations of the genre, if well done, are more likely to supplant the original as influences, simply because they address more contemporary, less settled issues.



Also, there was a theme in art of the 1800's of critizing the bourgeoise before Ibsen. Maybe not in plays, but certainly in painting.

E.g.

https://en.wikipedia.org/wiki/The_Awakening_Conscience

The woman in that painting, 26 years before A Doll's House could well be "Nora".


Hmm, but that is criticising bourgeois behaviour in the name of bourgeois and/or Christian values, no? Whereas Ibsen criticises the values themselves…. Of course, this dichotomy is too simple, and tags like "bourgeois values" are shortcut descriptions of a moral world with as much complexity and contradictions as the present day's….




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